Jesus in Islam Essay Example | Topics and Well Written Essays - 750 words

Jesus in Islam - Essay Example This exposition analyzes the Jesus known by the Muslims and what the Christians consider him (Ali, 124) The two Christians and Muslims concur that Jesus was conceived of the Virgin Mary, who was unadulterated a clean on a fundamental level (Mk 3.16; 7.4 ;). In any case, Muslims question that Jesus was not the child of God but rather one of His prophets. In the sacred Quran, God conveys to the individuals that Jesus was a normal man simply like Adam both formed from the dirt through Gods power. Muslims along these lines hang on that Jesus was not the child of god since he was made simply like Adam who has never been alluded to as the child of God (Al-Imran, 59-60). Christians on the opposite side have a solid accept that Jesus was the child of god who was brought into the world through the intensity of the Holy Spirit without the sexual demonstration among Mary and Joseph, who had sold out her. Crediting Jesus to the child of God in Islam is in this way questioned since it is an idea that implies that Allah laid down with Mary to bring forth Jesus which isn't correct (Quran, 3:45-47). Christians states that Jesus was both human and heavenly being conceived in type of a man where the virgin Mary imagined over the intensity of the blessed spirit.As such, (Mt 9.34) Christians adore Jesus as the child of God. The holy book depicts Jesus as a heavenliness in the trio; god the child god the dad and Gog the Holy Spirit (Mk 3.16; 7.4; Lk 24.32, 5). In the holy book, God makes reference to that all the three divinities to be similarly both in power quality and heavenliness (Nelson, 532). In contrast to Christians, Muslims, differ on the heavenliness of Jesus. They switch him rather and allude him to one of the Gods ambassador who had been sent by Allah to speak with the humankind. Muslims accepts that since Jesus was made simply like Adam and different prophets known to him individuals ought not adore him yet rather put stock in his lessons that he was sent by Allah to convey this individuals as an errand person (Quran, 3:59). In Muslim religion, Jesus performed supernatural occurrences yet this doesn't make

Editorial Cartoon Project Essays - Shooting Of Trayvon Martin

Article Cartoon Project Essays - Shooting Of Trayvon Martin Cooper Casamento Mr. Carter English 10 Honors, Period 6 14 February 2016 Article Cartoon Project Animation 1 This political animation is about the issue of police ruthlessness in America, and this animation is explicitly centered around the occasion of George Zimmerman shooting and slaughtering Trayvon Martin. At the hour of this episode, George Zimmerman was a cop, and Trayvon Martin was an African-American youngster who was 17 years of age. The sketch artist's assessment of this entire issue is that George Zimmerman got off with practically nothing, and he shows this by putting an image of George Zimmerman flying out of a pen on the Escape Jail Free card from the table game Monopoly. The sketch artist additionally utilizes marking, by putting names on the tea and the Skittles. He does this since that is the thing that Trayvon Martin was conveying when he was shot returning from the store. The confine that Zimmerman is flying out of speaks to prison, and Zimmerman is simply flying out of it since he truly got out of prison free. There is additionally a gap in Martin's sweatshirt, speaking to where Zimmerman shot him. This animation was not exceptionally influential to me, since I as of now share a similar view point as the sketch artist: Zimmerman was not honest and he didn't have the right to escape prison that without any problem. Animation 2 This political animation centers around the issues of both school obligation, and the a lot of schoolwork for understudies in grades lower than school, however it is basically centered around the issue of school obligation. The sketch artist accepts school obligation is absurd, and that is the reason he is composing this animation. He is composing this animation since he needs something done about this issue, since school obligation leaves most previous understudies in the red for a long time after they graduate. The illustrator utilizes the huge rucksack on the man marked school to speak to the enormous measure of obligation numerous school graduates have after they graduate, and he utilizes the huge knapsack on the more youthful child to show how they are simply in preparing. The visual artist clearly misrepresented the size of the knapsack, however he did it to show how huge the measure of obligation truly is and how the obligation can hold somebody down. The visual artist utilize d marking to show how the understudy is being held somewhere around the obligation. The visual artist is in all probability attempting to point this animation at notable individuals who can change the measure of cash it takes to head off to college.

MIT Athletics

MIT Athletics This entry is a double cheat I was trying to think of something to write about while cheering for tonights MIT mens basketball game, and I realized that I had written something intelligent about MIT athletics the other day on CC. I really was paying attention to the game, but my feet hurt and I was tired and my mind was drifting a little. There are a lot of sports at MIT, and a lot of ways to get involved with physical activities. This may or may not surprise you; if it does surprise you, its probably not in your best interest to use the comments to wonder about this amazing fact. (You may hazard a guess as to how many times Ive heard the following gem: Youre an MIT cheerleader? I didnt even know MIT had cheerleaders. Do you cheer for the chess club? Ha-frickin-ha.) Varsity sports Varsity sports are NCAA-recognized, and they practice something like 2 hours a day (although often there are optional-but-probably-not-really open gyms and free practice hours for members of the teams). We have an activities period from 5pm to 7pm each night, when no class activities can be held, and many varsity sports practice then. MIT competes in Division III, which means, among other things, that youre not going to get an athletic scholarship to MIT, and that youre probably not going to get into MIT with a 0 on the SAT, even if you can throw a football/baseball/basketball/other projectile. Varsity sports are open only to undergraduates. The programs at MIT vary quite a bit in the level of people who play them. In some sports, its possible to join and excel even if you never played in high school (crew is an obvious example, but Ive known people who joined the football team without high school experience), but some teams are fairly stringent about tryouts and cut quite a few of the people who try out. If youre interested in playing a varsity sport at MIT, you should fill out the recruitment form so the coach of your sport is aware of your interest in the school; your athletic talent alone wont get you into the school, but it could help set you apart from other qualified applicants. Club sports Club sports are often a little more eclectic and unusual than varsity sports (figure skating, synchronized swimming, martial arts), and are usually open to both graduate students and undergraduates. Still, theyre not just cupcake activities: some club sports do have actual coaches, compete in actual competitions, and are really actual sports for all intents and purposes. Theyre just not NCAA-recognized, and they dont have to practice as much (cheerleading, which is a club sport, practices 6 hours a week rather than the 10 that a varsity sport would practice). If youre interested in a club sport, feel free to email the captains of the sport for more information although I should warn you that we can do absolutely zilch for getting that Accepted stamp on your application, so emailing us and asking if we can forward your name to the admissions officers is sort of futile. But were happy to give information (if you email cheer-captains, you will probably get an email from me even though Im a captain emerita, nobody else likes to write long, detailed question-answering emails); if youre admitted, all the club sports have booths at the Athletics Gateway at Campus Preview Weekend, so come and visit. Theres usually free pizza. Intramural sports Intramural sports are also big at MIT, for anybody who likes playing football/basketball/dodgeball/roller hockey but who isnt particularly enthused about committing to joining a varsity team. There are four leagues for most IM sports, from A league, which is almost varsity-quality, to D league, which is for people with lots of enthusiasm but perhaps not so much, shall we say, talent. (I played D-league basketball my freshman year for my living group. It was super-fun, but I would never characterize myself as a good, or even mediocre, basketball player. I dont really like having possession of the ball. I do like waving my hands around, though.) IM teams are hosted by various living groups, offices, labs, departments, and groups of friends, and theyre open to anybody in the MIT community (undergrads, grad students, staff). Phys ed As I said last time, were required to accumulate 8 PE points while at MIT, which can be fulfilled by taking 4 PE classes or playing two seasons of varsity sports. The list of PE classes is here; as you can see, there are lots of ways to fulfill the requirement. (I hate the PE requirement Ive been a club athlete for four years, which has gotten me infinitely more physically educated than my four four-week phys ed classes. But I suppose the PE classes are good for me, and at any rate, nobody asked me.) As a corollary to PE classes, there are also some very nice exercise facilities on campus, including the Z-Center on West campus and the Wang Fitness Center in/next to the Stata Center. Theyre used pretty heavily, at least judging by the percentage of machines which are usually in use when I pass by. Mens et manus in corpore sano and whatnot. Grad school update: As of this evening, I have interviews at Caltech, Michigan, UCLA, and UCSF (still waiting to hear from others). Three all-expenses-paid visits to California in the middle of winter! Yay! Working my butt off for the past four years: totally worth it. EDIT: Immediately after I hit publish on this entry, I got an email from UC Berkeley, inviting me to their interview weekend. So I guess that would be four all-expenses-paid visits to California thus far. :) EDIT 2, 3:51 PM Friday: Well, Stanford just called make that five all-expenses-paid visits to California. :D (Although Sam is right its really not cold at all here right now, so its not like I really need to escape the weather.)

When to Use Wann and Wenn in German

The Is The Atomic Bomb Signaled Not Only The Commencement...

The atomic bomb signaled not only the commencement of the Cold War, but also a political divide between the communist ideologies of the Soviet Union and the democracy of the Western world. A fear of communism behind the Iron Curtain and nuclear annihilation spread throughout the US, while existential views regarding the meaning of life arose. Through their texts, composers subverted dominant Cold War paradigms to †¦Ã¢â‚¬ ¦.. ATQ†¦Ã¢â‚¬ ¦. Samuel Beckett’s modernist existential play ‘Waiting for Godot (Godot) (1953)’ is a philosophical questioning on the purpose of human existence, and the nature of scientific development. In response to the existential angst following WW2, Beckett uses the conventions of Absurdist theatre to examine philosophical†¦show more content†¦This is established at the beginning of Act 1, through an allusion to Christian philosophy in Vladimir’s dialogue about the fable of the two thieves, where ‘One is supp osed to have been saved and the other damned’. In his allusion to the Bible, Beckett emphasises chance being woven into even the most sacred of texts that supposedly hold the ultimate truth for humanity. Moreover, in his book Understanding Samuel Beckett (1990), Alan Astro highlights that it is God s silence that causes the real hopelessness amidst all the comical actions of Beckett’s characters. He suggests, the recourse to bookkeeping by the philosopher (Pascal) no less than the clownish tramp shows how helpless we are with respect to God s silence. However, while Beckett’s play is concerned with a loss of meaning, it raises a positive message, implying â€Å"we are free to give our own lives meaning and purpose, free to redeem our suffering by making something of it† (Kaufmann). While Beckett sees little reason for hope after witnessing the trauma caused by the very weapons meant to preserve world peace, he is unable to relinquish it entirely. This is evident in the symbol of the tree. The tree is central to the set design of the play, for the sprouting of leaves in act 2, metaphorically suggests new life and resolution- an image of hope againstShow MoreRelatedProject Managment Case Studies214937 Words   |  860 Pagesrecognized it had a problem deciding how to assign the right project manager to the right project. Project managers had to be familiar with all three methodologies. The alternative, considered 6 FERRIS HEALTHCARE, INC. impractical, was to assign only those project managers familiar with that specific methodology. After six months of meetings, the company consolidated the three methodologies into a single methodology, focusing more upon guidelines than on policies and procedures. The entire organization

The Vampire Diaries The Awakening Chapter Eight Free Essays

string(84) " can let Caroline Forbes fall all over you\? I have a right to know that, at least\." Elena had gone into the bathroom dazed and numbly grateful. She came out angry. She wasn’t quite sure how the transformation had taken place. We will write a custom essay sample on The Vampire Diaries: The Awakening Chapter Eight or any similar topic only for you Order Now But sometime while she was washing the scratches on her face and arms, annoyed at the lack of a mirror and at the fact she’d left her purse in Tyler’s convertible, she startedfeeling again. And what she felt was anger. Damn Stefan Salvatore. So cold and controlled even while saving her life. Damn him for his politeness, and for his gallantry, and for the walls around him that seemed thicker and higher than ever. She pulled the remaining bobby pins out of her hair and used them to fasten the front of her dress together. Then she ran through her loosened hair quickly with an engraved bone comb she found by the sink. She came out of the bathroom with her chin held high and her eyes narrowed. He hadn’t put his coat back on. He was standing by the window in his white sweater with bowed head, tense, waiting. Without lifting his head, he gestured to a length of dark velvet laid over the back of a chair. â€Å"You might want to put that on over your dress.† It was a full-length cloak, very rich and soft, with a hood. Elena pulled the heavy material around her shoulders. But she was not mollified by the gift; she noticed that Stefan hadn’t come any closer to her, or even looked at her while speaking. Deliberately, she invaded his territorial space, pulling the cloak more tightly about her and feeling, even at that moment, a sensual appreciation of the way the folds fell about her, trailing behind her on the floor. She walked up to him and made an examination of the heavy mahogany dresser by the window. On it lay a wicked-looking dagger with an ivory hilt and a beautiful agate cup mounted in silver. There were also a golden sphere with some sort of dial set into it and several loose gold coins. She picked up one of the coins, partly because it was interesting and partly because she knew it would upset him to see her handling his things. â€Å"What’s this?† It was a moment before he answered. Then he said: â€Å"A gold florin. A Florentine coin.† â€Å"And what’s this?† â€Å"A German pendant watch. Late fifteenth century,† he said distractedly. He added, â€Å"Elena-† She reached for a small iron coffer with a hinged lid. â€Å"What about this? Does it open?† â€Å"No.† He had the reflexes of a cat; his hand slapped over the coffer, holding the lid down. â€Å"That’s private,† he said, the strain obvious in his voice. She noticed that his hand made contact only with the curving iron lid and not with her flesh. She lifted her fingers, and he drew back at once. Suddenly, her anger was too great to hold in any longer. â€Å"Careful,† she said savagely. â€Å"Don’t touch me, or you might get a disease.† He turned away toward the window. And yet even as she moved away herself, walking back to the center of the room, she could sense his watching her reflection. And she knew, suddenly, what she must look like to him, pale hair spilling over the blackness of the cape, one white hand holding the velvet closed at her throat. A ravaged princess pacing in her tower. She tilted her head far back to look at the trapdoor in the ceiling, and heard a soft, distinct intake of breath. When she turned, his gaze was fixed on her exposed throat; the look in his eyes confused her. But the next moment his face hardened, closing her out. â€Å"I think,† he said, â€Å"that I had better get you home.† In that instant, she wanted to hurt him, to make him feel as bad as he’d made her feel. But she also wanted the truth. She was tired of this game, tired of scheming and plotting and trying to read Stefan Salvatore’s mind. It was terrifying and yet a wonderful relief to hear her own voice saying the words she’d been thinking so long. â€Å"Why do you hate me?† He stared at her. For a moment he couldn’t seem to find words. Then he said, â€Å"I don’t hate you.† â€Å"You do,† said Elena. â€Å"I know it’s not†¦ not good manners to say it, but I don’t care. I know I should be grateful to you for saving me tonight, but I don’t care about that, either. I didn’t ask you to save me. I don’t know why you were even in the graveyard in the first place. And I certainly don’t understand why you did it, considering the way you feel about me.† He was shaking his head, but his voice was soft. â€Å"I don’t hate you.† â€Å"From the very beginning, you’ve avoided me as if I were†¦ were some kind of leper. I tried to be friendly to you, and you threw it back in my face. Is that what agentleman does when someone tries to welcome him?† He was trying to say something now, but she swept on, heedless. â€Å"You’ve snubbed me in public time after time; you’ve humiliated me at school. You wouldn’t be speaking to me now if it hadn’t been a matter of life or death. Is that what it takes to get a word out of you? Does someone have to nearly be murdered? â€Å"And even now,† she continued bitterly, â€Å"you don’t want me to get anywhere near you. What’s the matter with you, Stefan Salvatore, that you have to live this way? That you have to build walls against other people to keep them out? That you can’t trust anyone?What’s wrong with you ?† He was silent now, his face averted. She took a deep breath and then straightened her shoulders, holding her head up even though her eyes were sore and burning. â€Å"And what’s wrong withme ,† she added, more quietly, â€Å"that you can’t even look at me, but you can let Caroline Forbes fall all over you? I have a right to know that, at least. You read "The Vampire Diaries: The Awakening Chapter Eight" in category "Essay examples" I won’t ever bother you again, I won’t even talk to you at school, but I want to know the truth before I go. Why do you hate me so much, Stefan?† Slowly, he turned and raised his head. His eyes were bleak, sightless, and something twisted in Elena at the pain she saw on his face. His voice was still controlled-but barely. She could hear the effort it cost him to keep it steady. â€Å"Yes,† he said, â€Å"I think you do have a right to know. Elena.† He looked at her then, meeting her eyes directly, and she thought, That bad? What could be as bad as that? â€Å"I don’t hate you,† he continued, pronouncing each word carefully, distinctly. â€Å"I’ve never hated you. But you†¦ remind me of someone.† Elena was taken aback. Whatever she’d expected, it wasn’t this. â€Å"I remind you of someone else you know?† â€Å"Of someone I knew,† he said quietly. â€Å"But,† he added slowly, as if puzzling something out for himself, â€Å"you’re not like her, really. She looked like you, but she was fragile, delicate. Vulnerable. Inside as well as out.† â€Å"And I’m not.† He made a sound that would have been a laugh if there had been any humor in it. â€Å"No. You’re a fighter. You are†¦ yourself.† Elena was silent for a moment. She could not keep hold of her anger, seeing the pain on his face. â€Å"You were very close to her?† â€Å"Yes.† â€Å"What happened?† There was a long pause, so long that Elena thought he wasn’t going to answer her. But at last he said, â€Å"She died.† Elena let out a tremulous breath. The last of her anger folded up and disappeared from under her. â€Å"That must have hurt terribly,† she said softly, thinking of the white Gilbert headstone among the rye grass. â€Å"I’m so sorry.† He said nothing. His face had closed again, and he seemed to be looking far away at something, something terrible and heartbreaking that only he could see. But there was not just grief in his expression. Through the walls, through all his trembling control, she could see the tortured look of unbearable guilt and loneliness. A look so lost and haunted that she had moved to his side before she knew what she was doing. â€Å"Stefan,† she whispered. He didn’t seem to hear her; he seemed to be adrift in his own world of misery. She could not stop herself from laying a hand on his arm. â€Å"Stefan, I know how it can hurt-† â€Å"You can’t know,† he exploded, all his quietness erupting into white rage. He looked down at her hand as if just realizing it was there, as if infuriated at her effrontery in touching him. His green eyes were dilated and dark as he shook her hand off, flinging a hand up to bar her from touching him again- -and somehow, instead, he was holding her hand, his fingers tightly interlocked with hers, hanging on for dear life. He looked down at their locked hands in bewilderment. Then, slowly, his gaze moved from their clasping fingers to her face. â€Å"Elena†¦Ã¢â‚¬  he whispered. And then she saw it, the anguish shattering his gaze, as if he simply couldn’t fight any longer. The defeat as the walls finally crumbled and she saw what was underneath. And then, helplessly, he bent his head down to her lips. â€Å"Wait-stop here,† said Bonnie. â€Å"I thought I saw something.† Matt’s battered Ford slowed, edging toward the side of the road, where brambles and bushes grew thickly. Something white glimmered there, coming toward them. â€Å"Oh, my God,† said Meredith. â€Å"It’s Vickie Bennett.† The girl stumbled into the path of the headlights and stood there, wavering, as Matt hit the brakes. Her light-brown hair was tangled and in disarray, and her eyes stared glassily out of a face that was smudged and grimy with dirt. She was wearing only a thin white slip. â€Å"Get her in the car,† said Matt. Meredith was already opening the car door. She jumped out and ran up to the dazed girl. â€Å"Vickie, are you all right? What happened to you?† Vickie moaned, still looking straight ahead. Then she suddenly seemed to see Meredith, and she clutched at her, digging her nails into Meredith’s arms. â€Å"Get out of here,† she said, her eyes filled with desperate intensity, her voice strange and thick, as if she had something in her mouth. â€Å"All of you-get out of here! It’s coming.† â€Å"What’s coming? Vickie, where is Elena?† â€Å"Get outnow . †¦Ã¢â‚¬  Meredith looked down the road, then led the shaking girl back to the car. â€Å"We’ll take you away,† she said, â€Å"but you have to tell us what’s happened. Bonnie, give me your wrap. She’s freezing.† â€Å"She’s been hurt,† said Matt grimly. â€Å"And she’s in shock or something. The question is, where are the others? Vickie, was Elena with you?† Vickie sobbed, putting her hands over her face as Meredith settled Bonnie’s iridescent pink wrap around her shoulders. â€Å"No†¦ Dick,† she said indistinctly. It seemed to hurt her to speak. â€Å"We were in the church†¦ it was horrible. It came†¦ like mist all around. Dark mist. And eyes. I saw its eyes in the dark there, burning. They burnt me†¦Ã¢â‚¬  â€Å"She’s delirious,† said Bonnie. â€Å"Or hysterical, or whatever you call it.† Matt spoke slowly and clearly. â€Å"Vickie, please, just tell us one thing. Where is Elena? What happened to her?† â€Å"I don’t know .† Vickie lifted a tear-stained face to the sky. â€Å"Dick and I-we were alone. We were†¦ and then suddenly it was all around us. I couldn’t run. Elena said the tomb had opened. Maybe that was where it came from. It was horrible†¦Ã¢â‚¬  â€Å"They were in the cemetery, in the ruined church,† Meredith interpreted. â€Å"And Elena was with them. And look at this.† In the overhead light, they could all see the deep fresh scratches running down Vickie’s neck to the lace bodice of her slip. â€Å"They look like animal marks,† said Bonnie. â€Å"Like the marks of cat’s claws, maybe.† â€Å"No cat got that old man under the bridge,† said Matt. His face was pale, and muscles stood out in his jaw. Meredith followed his gaze down the road and then shook her head. â€Å"Matt, we have to take her back first. We have to,† she said. â€Å"Listen to me, I’m as worried about Elena as you are. But Vickie needs a doctor, and we need to call the police. We don’t have any choice. We have to go back.† Matt stared down the road for another long moment, then let out his breath in a hiss. Slamming the door shut, he put the car into gear and turned it around, each motion violent. All the way back to town, Vickie moaned about the eyes. Elena felt Stefan’s lips meet hers. And†¦ it was as simple as that. All questions answered, all fears put to rest, all doubts removed. What she felt was not merely passion, but a bruising tenderness and a love so strong it made her shake inside. It would have been frightening in its intensity, except that while she was with him, she could not be afraid of anything. She had come home. This was where she belonged, and she had found it at last. With Stefan, she was home. He pulled back slightly, and she could feel that he was trembling. â€Å"Oh, Elena,† he whispered against her lips. We can’t- â€Å"We already have,† she whispered, and drew him back down again. It was almost as if she could hear his thoughts, could feel his feelings. Pleasure and desire raced between them, connecting them, drawing them closer. And Elena sensed, too, a wellspring of deeper emotions within him. He wanted to hold her forever, to protect her from all harm. He wanted to defend her from any evil that threatened her. He wanted to join his life with hers. She felt the tender pressure of his lips on hers, and she could hardly bear the sweetness of it. Yes , she thought. Sensation rippled through her like waves on a still, clear pond. She was drowning in it, both the joy she sensed in Stefan and the delicious answering surge in herself. Stefan’s love bathed her, shone through her, lighting every dark place in her soul like the sun. She trembled with pleasure, with love, and with longing. He drew back slowly, as if he could not bear to part from her, and they looked into each other’s eyes with wondering joy. They did not speak. There was no need for words. He stroked her hair, with a touch so light that she could scarcely feel it, as if he was afraid she might break in his hands. She knew, then, that it had not been hatred that had made him avoid her for so long. No, it had not been hatred at all. Elena had no idea how much later it was that they quietly went down the stairs of the boarding house. At any other time, she would have been thrilled to get into Stefan’s sleek black car, but tonight she scarcely noticed it. He held her hand as they drove through the deserted streets. The first thing Elena saw as they approached her house was the lights. â€Å"It’s the police,† she said, finding her voice with some difficulty. It was odd to talk after being silent so long. â€Å"And that’s Robert’s car in the driveway, and there’s Matt’s,† she said. She looked at Stefan, and the peace that had filled her suddenly seemed fragile. â€Å"I wonder what happened. You don’t suppose Tyler’s already told them†¦ ?† â€Å"Even Tyler wouldn’t be that stupid,† said Stefan. He pulled up behind one of the police cars, and reluctantly Elena unclasped her hand from his. She wished with all her heart that she and Stefan could just be alone together, that they would never need to face the world. But there was no help for it. They walked up the pathway to the door, which was open. Inside, the house was a blaze of lights. Entering, Elena saw what seemed like dozens of faces turned toward her. She had a sudden vision of what she must look like, standing there in the doorway in the sweeping black velvet cloak, with Stefan Salvatore at her side. And then Aunt Judith gave a cry and was holding her in her arms, shaking her and hugging her all at once. â€Å"Elena! Oh, thank God you’re safe. But where have you been? And why didn’t you call? Do you realize what you’ve put everyone through?† Elena stared around the room in bewilderment. She didn’t understand a thing. â€Å"We’re just glad to see you back,† said Robert. â€Å"I’ve been at the boarding house, with Stefan,† she said slowly. â€Å"Aunt Judith, this is Stefan Salvatore; he rents a room there. He brought me back.† â€Å"Thank you,† said Aunt Judith to Stefan over Elena’s head. Then, pulling back to look at Elena, she said, â€Å"But your dress, your hair-what happened?† â€Å"You don’t know? Then Tyler didn’t tell you. But then why are the police here?† Elena edged toward Stefan instinctively, and she felt him move closer to her in protection. â€Å"They’re here because Vickie Bennett was attacked in the cemetery tonight,† said Matt. He and Bonnie and Meredith were standing behind Aunt Judith and Robert, looking relieved and a little awkward and more than a little tired. â€Å"We found her maybe two, three hours ago, and we’ve been looking for you ever since.† â€Å"Attacked?† said Elena, stunned. â€Å"Attacked by what?† â€Å"Nobody knows,† said Meredith. â€Å"Well, now, it may be nothing to worry about,† said Robert comfortingly. â€Å"The doctor said she’d had a bad scare, and that she’d been drinking. The whole thing may have been in her imagination.† â€Å"Those scratches weren’t imaginary,† said Matt, polite but stubborn. â€Å"What scratches? What are you talking about?† Elena demanded, looking from one face to another. â€Å"I’ll tell you,† said Meredith, and she explained, succinctly, how she and the others had found Vickie. â€Å"She kept saying she didn’t know where you were, that she was alone with Dick when it happened. And when we got her back here, the doctor said he couldn’t find anything conclusive. She wasn’t really hurt except for the scratches, and they could have been from a cat.† â€Å"There were no other marks on her?† said Stefan sharply. It was the first time he’d spoken since entering the house, and Elena looked at him, surprised by his tone. â€Å"No,† said Meredith. â€Å"Of course, a cat didn’t tear her clothes off-but Dick might have. Oh, and her tongue was bitten.† â€Å"What?† said Elena. â€Å"Badly bitten, I mean. It must have bled a lot, and it hurts her to talk now.† Beside Elena, Stefan had gone very still. â€Å"Did she have any explanation for what happened?† â€Å"She was hysterical,† Matt said. â€Å"Really hysterical; she wasn’t making any sense. She kept babbling about eyes and dark mist and not being able to run-which is why the doctor thinks maybe it was some sort of hallucination. But as far as anyone can make out, the facts are that she and Dick Carter were in the ruined church by the cemetery at about midnight, and that something came in and attacked her there.† Bonnie added, â€Å"It didn’t attack Dick, which at least shows it had, some taste. The police found him passed out on the church floor, and he doesn’t remember a thing.† But Elena scarcely heard the last words. Something had gone terribly wrong with Stefan. She couldn’t tell how she knew it, but she knew. He had stiffened as Matt finished speaking, and now, though he hadn’t moved, she felt as if a great distance was separating them, as if she and he were on opposite sides of a rifting, cracking floe of ice. He said, in the terribly controlled voice she had heard before in his room, â€Å"In the church, Matt?† â€Å"Yes, in the ruined church,† Matt said. â€Å"And you’re sure she said it was midnight?† â€Å"She couldn’t be positive, but it must have been sometime around then. We found her not long after. Why?† Stefan said nothing. Elena could feel the gulf between them widening. â€Å"Stefan,† she whispered. Then, aloud, she said desperately, â€Å"Stefan, what is it?† He shook his head. Don’t shut me out, she thought, but he wouldn’t even look at her. â€Å"Will she live?† he asked abruptly. â€Å"The doctor said there was nothing much wrong with her,† Matt said. â€Å"Nobody’s even suggested she might die.† Stefan’s nod was abrupt; then he turned to Elena. â€Å"I’ve got to go,† he said. â€Å"You’re safe now.† She caught his hand as he turned away. â€Å"Of course I’m safe,† she said. â€Å"Because of you.† â€Å"Yes,† he said. But there was no response in his eyes. They were shielded, dull. â€Å"Call me tomorrow.† She squeezed his hand, trying to convey what she felt under the scrutiny of all those watching eyes. She willed him to understand. He looked down at their hands with no expression at all, then, slowly, back up at her. And then, at last, he returned the pressure of her fingers. â€Å"Yes, Elena,† he whispered, his eyes clinging to hers. The next minute he was gone. She took a deep breath and turned back to the crowded room. Aunt Judith was still hovering, her gaze fixed on what could be seen of Elena’s torn dress underneath the cloak. â€Å"Elena,† she said, â€Å"whathappened ?† And her eyes went to the door through which Stefan had just left. A sort of hysterical laughter surged up in Elena’s throat, and she choked it back. â€Å"Stefan didn’t do it,† she said. â€Å"Stefan saved me.† She felt her face harden, and she looked at the police officer behind Aunt Judith. â€Å"It was Tyler, Tyler Smallwood†¦Ã¢â‚¬  How to cite The Vampire Diaries: The Awakening Chapter Eight, Essay examples

Pacifism A Critical Perspective free essay sample

An examination of the policy of pacifism and its terms. This paper examines the political philosophy of pacifism which holds that the use of violence by the state, under any circumstances is unethical and counterproductive. The paper assesses whether pacifism can be effective against Nazi-like dictatorships and includes a brief examination of nonviolence, the philosophy of Gandhi and King. If we had neither weapons nor soldiers, what would we do if an enemy tried to conquer us, asks Liane Ellison Norman in her essay, Nonviolent Civilian Defense. What would we do if our government suspended civil liberties, imprisoned, tortured and executed people like us? (McCarthy, ed. 189). Advocating the pacifist principle, Norman goes on to contend that the modern state does not need a conventional army to protect itself. Nonviolent defense strategy, Norman goes on to argue, provides an effective defense mechanism that surpasses that of conventional armies, the cause of so much chaos and destruction throughout history. We will write a custom essay sample on Pacifism: A Critical Perspective or any similar topic specifically for you Do Not WasteYour Time HIRE WRITER Only 13.90 / page Relying on the principle that the conquer is meaningless unless the conqueror is able to govern, and evoking the beliefs and practices of Mahatma Gandhi and Martin Luther King, Norman and other pacifists argue that the methods of nonviolent civil disobedience strikes, marches, sit-ins, etc. can replace modern warfare. It is therefore argued that the use of violence by the state, under any circumstances, is unethical and counterproductive.